I first saw the painting Nighthawks when I was a kid. It was a featured poster in the new shop in the mall, where you could purchase an image of Spuds McKenzie driving a Porsche, or Monet’s ‘Waterlilies’ framed in black plastic while you wandered down to Orange Julius for a smoothie.
I fell in love with Nighthawks immediately, and later, with Edward Hopper in general. Hopper’s use of light and architecture speaks to me in every painting and sketch he’s ever done. Nighthawks, with it’s counter full of strangers, sipping coffee, caught for a moment in a light that was both indicative of the Retro Era, and also ancient and timeless, became a touchstone for me. Who were these people? Why were they sitting in this diner, in the dark, dressed to the nines?
In my writing series Nighthawks, I imagine the stories of people as we see them, and as they see themselves, in one brief glance through a window. These character sketches are vignettes, post cards, poems, and the creation of people.